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Snippets' offload plus a philosophical conundrum

 I'm in a deep philosophical dialogue with a friend via email. We are exploring logic based on Wittgenstein and I have to admit I'm in over my head - I'm stuck and don't know how to respond to him now. Any ideas? Here is where we are so far.

 

J: 

There are seven main propositions in the text. These are:

The world is everything that is the case.

What is the case (a fact) is the existence of states of affairs.

A logical picture of facts is a thought.

A thought is a proposition with a sense. (An elementary proposition is a truth-function of itself.)

A proposition is a truth-function of elementary propositions.

The general form of a proposition is the general form of a truth function, which is: . This is the general form of a proposition.

Whereof one cannot speak, thereof one must be silent.

]Proposition 1

The first chapter is very brief:

1 The world is all that is the case.

1.1 The world is the totality of facts, not of things.

1.11 The world is determined by the facts, and by their being all the facts.

1.12 For the totality of facts determines what is the case, and also whatever is not the case.

1.13 The facts in logical space are the world.

1.2 The world divides into facts.

1.21 Each item can be the case or not the case while everything else remains the same.

 

SEE WHAT I MEAN?

 

A:

Hey, where's the beef?

 

J:

1. The beef is nothing without case

2. What the beef is, is nothing,  because it's devoid of case.

3. The logical picture of beef is a hamburger.

4. The hamburger does not exist.

5. Hunger is irrelevant.

 

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ou-est la boeuf?

Not a tonne (Canadian) of context here.  Is there a larger orientation driving these snippets of dialog?  Otherwise it diverges readily into quasi-logical playfulness:

 

Beef is not a thing.  It exists just in case.

That's a fact.

The question "Where's the beef?" does not ask about beef.  It asks about the absence of beef.

There is no absence of beef.  Only what is, is the case.

Logically, the hamburger is in the kitchen.

Old TV commercials are irrelevant when we are hungry.

 

Thanks, I've been...

Layman Pascal

 

(to receive other "Weekly Harangues" write to: pretendtomeditate@gmail.com)

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You're forgetting

The Witness. The Observer, whose perception meets with 'facts' to create a world.

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In the trenches in America

Changing the topic, here is a

trailer to a film

that has been out but not widely circulated. My coffee shop buddy who works for Elevate and promotes this film with Play-It-Forward technology (internet distributors for the movie Thrive) told me about it yesterday. On the you-tube page, when the film is done, there is provided some more footage - I link to one with the

interview of the 'star'

who has been in the dark trenches, trying to change, to "transform". I imagine that many of us know people like this and may have been like this, and still may be in the process ourselves. Modest basic tier steps, it seems. Touching, no?


ambo

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My Dinner With Andre

That's the image that came to mind after reading so much recent articulate description, personal understanding, and inquiry about AC and his group's endeavor, the 'movement' of integral, and various other riffs. It's not an exact fit, but I saw an image of myself with an ambiguous expression on my face, mouth slightly agape, interested, perhaps fascinated and a bit overwhelmed at reports of new rich landscapes, injunctions, responsibilities, and 'good' worldviews, and yet a part of me holds back in perplexity and vague doubt.

I wasn't Andre, but the other guy, Wallace, at the table with this traveling, deeply experiencing friend who has recently returned from extended immersions. His facial expressions and his mixture of genuine yet skeptically probing questions portrayed a character who was more observer than actor. He was in moments blown a bit away but had the solidifying influence of his own inner defenses and strategies to keep him in his character, in who he was in this fringe-delving context. He was at his edge, yet not going over the edge, feet and toes finding enough resistive purchase in the rough and rooty soil of his known world to hold some of the ambiguity.

I'm not particularly pleased with this image of self, nor now affectively pleased with the film that was one of my favorites for a movie that stretched me.

Me, anxious and guardedly curious observer.

This image and metaphor has run out of steam, but the feeling of musty selfness lingers.

ambo