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Additional Notes 2 Pound Out 4 "If You Are Feeling Sinister, Freeze Pop Forever."

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Current mood: ostinato
 
For full post:
 
 
I've updated the blog with two more songs:  2.  Song for Sunshine and 3.  The Daily Planet.  I didn't know why The Daily Planet was on there but put it on there for some reason and now cannot hear the lyrics, which are coming out garbled.  Now I've had a chance to look up the lyrics and can see its relevance, but cannot hear it.  The instruments are coming in clearly.  Not every song does this but only some of them.  Such as the song, "What's Up, Fatlip?"  Can't hear a word of it but do like the beat and whatever I can hear.  BTW, I did not place those songs (above) in that order so don't know why they're not at the end where one would normally expect ti see more recent song additions to be added.
 
No. 2 is on there because I happened to be listening to it while re-reading the "Play the Aspie Social Game" post to see if I could find any more clues about the meaning of the sun and sunsets.  "Song For Sunshine" came on and hearkened once again to the thing about "wheel of a fortune spins but the wheel of fire coming crashing on you/."
 
What that means is that the sunshine in the image down below that I turned into a flower is also a Wheel of Fortune and Fire Award I handed out as an award to all of my Top 8 contentstants when they made my Top 8 in my Play the Aspie Social Game.  I was surprised that I was actually able to locate it once again on the Internet.  Except this time, it is no longer in black but in a mod and/or psychedelic jewel/mettalic tone, cyan, that I had blogged about a year ago that I thought was very pretty and stylish:
 



Wheel of Fortune and Fire
 
Here is a more concrete example of how I discover things somethings.To some degree, we co-create the world at every moment.  Not everything is "given" to me in fullest clarity the first time around.  It usually involves the development of a theme or a pattern over a long period of time and many repetitions before I begin to perceive it as an arational manifestation of some sort.  There is no "systematic" way of attaining this sort of perception but depends largely on your interests or area of expertise and becoming conscious to subtle changes and making them perceptible to others.  With me, it is music and song lyrics but this chosen methodology in no way exhausts the plenitude of The Itself to work individual persons based on their chosen "methodology," interest(s), area of expertise, or whatever. 
 
Notice in the previous sentence how I typed "work individual persons" rather than "work with individual persons" as one might expect it to be phrased or as I had intended it to to be phrased out of deference or respect to the personhood of individual persons.  This was done consciously by the Itself to show individual persons that you do not work "it"; it works "you" (although we do say figuratively, "work it, makes it, do it, makes it" as a figure of speech, spell, or chant which is perfectly OK).  But it will not work you unless you are in space-time-freedom and are no longer totally immersed in I or ego-self. 
 
I have all the space and time in the world to do what ever it is that I want to for however long that I want.  This is primarily because I am no longer immersed in "i" (whether "big" or "little" "I"); an therefore what I "do" is not for personal reward, recognition, or for material possession beyond those things that are necessary for my task.  Not many people can say that they have all the time to do whatever.  Most people have no time because they have to go to work and have too many things to be concerned with and matters of consequence.  When I had to go to work or be on time for anything, time was experienced only as a quantity.  Fortuantely, my time with Tommy Taro was experienced as a quality: Tommy is now grown and is studying abroad in Toyo University in Japan.
 
I feel very fortunate that Tommy is so successful academically. I am on mental disability and do not have to work, so have all the time in the world to do as I please.  Time now is experienced as a quality: not as quantity.  Only when time began to be experienced as a quality and intensity did the whole begin to open itself up to me transparently.  But here is what it did (and remember: "it" or "the Itself" is not in reference to any individual person but is instead, a supra-individuated anonymity that is beyond the ego-self):
 
I became curious about the meaning of the sun so went back to read a prior post.  In it "Song For Sunshine" began to play and I came across that verse, and then instantly recognized the image of the sunshine below to be a Wheel of Fortune and Fire Award in Cyan.  Perhaps not a matter of consequence to most but it is to it and the Itself and To me as well, now that I have thought of it.
 
In the suite, "The Planets," my favorite movement has always been Jupiter, The Bringer of Jollity.  It then it occurred to me that I should upload the piece to Reverbnation.com.  When I did a search for the file on my computer, all I could locate was (predictably) Mars, The Bringer of War.  As a curious side-note, Mars is also the month in which I was born.  Mars 1967 ti be more precise. Probably, because I am the Girl from Mars and occasionally, The Bringer of War but in a certain sense only..  I was therefore forced to purchase Jupiter, The Bringer of Jollity, on Amazon.com so that I could upload it for my listeners.  I would have purchased the entire album but couldn't afford it.  But that's OK cau I don't need the other parts right now.
 
I'm noticing that I can no longer locate most of my files that I once had in my music collection.  I used to get upset over such invasions to my privacy and personal property until I began to perceive these anomalies as an arational manifestation of some kind.  When they manifest arationally, it is for the benefit of the whole. As such there is no one to "blame" when such things occur even if you wanted to. Therefore I am no longer concerned over whether such actions or events are warranted or "justified" on a rational level.  In time, the "purpose" behind such actions or events become more perceptible to reveal  their purpose to know whether or not they are arational manifestations.



Jupiter, The Bringer of Jollity
 



Mars, The Bringer of War
 
The Tomita version connects the Jupiter track, The Bringer of Jollity, to Saturn, The Bringer of Old Age.  I was only looking to purchase Jupiter, The Bringer of Jollity.  And though I really like how Tomita combines Jupiter and Saturn together into one long continuous track, I am partial to Jupiter, the Bringer of Jollity.  As it happens, Holst himself was partial to Saturn, The Bringer of Old Age.  Don't know what it means exactly or whether there is anything to a-ware.  
 
Given that the concept of the work is astrological more than astronomical, however, I became superstitious about the connection and felt the need to cut off Saturn for some reason.  Possibly I won't live to old age.  I don't care so long as it is a life that is useful, meaningful, and a life of quality.  I may have partially cut off the last few seconds of Jupiter in the process.  But that's ok because I believe that that is a signature style of Satan and also for the song bird who stopped singing in one-dimensional magic.  If you will notice also, on the kittycap playlist and on many songs featured on my Reverbnation playlist, many songs end abruptly a few seconds shy of their completion.  I believe that Satan and/or the universe intervened and abruptly ended those songs in order to prevent the listener from experiencing desired moment of climax and release that is expected and sought after following the build-up of tension introduced and left to be resolved throughout a song.  Thereby leaving us hanging unresolved without the usual sense of finality and closure that has come to be expected in music.
 
To offer a more vivid illustration: I believe it that was Beethoven (I could be mistaken so if not him, someone else from that era) who used to annoy his teacher greatly who lived in the floor above.  Every night, he would go to the piano and pound out a major scale up to the seventh note, ti, and then start his scale all over again in ascending order beginning with do and ending with ti but never striking the eighth and final note, do, the octave above, to complete the scale as expected.  He would repeat this exercise over and over again reportedly to infuriate his instructor, who become so irritated that he would get out of bed, march down the stairs in his pajamas in a huff, and strike the eighth and final note to complete the scale for a sense of resolution and finality.  The incompleteness and lack of finality and closure being an attempt to "open up" the closed septenary system of the mental-rational structure.
 
When I tried to locate a non-garbled and complete version of New Order's Bizarre Love Triangle for the Kitty cap playlist, for example, all of them came out garbled and incomplete.  I was therefore forced to upload my full non-garbled version of Bizarre Love Triangle to Reverbnation.com so as to be able to offer both a complete and an incomplete version of the song.
 
I knew that there was a reason for pointing out the lack of movement or motion in "If You're Feeling Sinister, Freeze Pop Forever" and the need to add motion (and also movement, referring unconsciously to various movements in The Planets by Gustav Holst although at the time, although when i typed that, I thought that I was being redundant by using "motion" and "movement" in the same sentence) via animated gifs.  . 
 
The order of the movements corresponds to increasing distance of their eponymous planets from the Earth. Some commentators have suggested that this is intentional, with the anomaly of Mars preceding Venus being a device to make the first four movements match the form of a symphony. One alternative explanation may be the ruling of astrological signs of the zodiac by the planets. If the zodiac signs are listed along with their ruling planets in the traditional order starting withAries, ignoring duplication, Pluto (then undiscovered), and the luminaries (the Sun and the Moon), then the order of the movements matches. Another possibility, this time from an astronomical perspective, is that the first three movements, representing the inner terrestrial planets, are ordered according to their decreasing distance from the Sun. The remaining movements, representing the gas giants that lie beyond the asteroid belt, are ordered by increasing distance from the Sun. 
 
Critic David Hurwitz offers an alternative explanation for the piece's structure: that "Jupiter" is the centrepoint of the suite and that the movements on either side are in mirror images. Thus "Mars" involves motion and "Neptune" is static; "Venus" is sublime while "Uranus" is vulgar, and "Mercury" is light and scherzando while "Saturn" is heavy and plodding. This hypothesis is lent credence by the fact that the two outer movements, "Mars" and "Neptune", are both written in rather unusual quintuple meter.

 


I decided at the very last moment to upload the original file with the two movements running together instead of the separated movements with Jupiter by itself.  Primarily because I rather liked the sound of Saturn and Jupiter together as Tomita had it originally and didn't want to change it.

Unfortunately, only a portion of Jupiter uploaded and that was it. It didn't even get to the part where the robot or machine is singing hauntingly toward the end and then the moment of crescendo to very very loud, my favorite part of the song, which then unexpectedly gives way to a much quieter and older Saturn. So I deleted that song, and decided to speed it up to 78 rpm for a faster version of the same song to upload again, thinking that speeding it up would possibly capture it in full and a portion of Saturn movement as well.  

Then I discovered that the .mp3 encoder is missing from my library.  Someone has taken my .mp3 encoder from my computer so I can't do anything right now.  They probably are scared of aging too fast because they are white.  Just playin'

VI
Oh, little prince! Bit by bit I came to understand the secrets of your sad little life... For a long time you had found your only entertainment in the quiet pleasure of looking at the sunset. I learned that new detail on the morning of the fourth day, when you said to me:
"I am very fond of sunsets. Come, let us go look at a sunset now."
"But we must wait," I said.
"Wait? For what?"
"For the sunset. We must wait until it is time."
At first you seemed to be very much surprised. And then you laughed to yourself. You said to me:
"I am always thinking that I am at home!"
Just so. Everybody knows that when it is noon in the United States the sun is setting over France. If you could fly to France in one minute, you could go straight into the sunset, right from noon. Unfortunately, France is too far away for that. But on your tiny planet, my little prince, all you need do is move your chair a few steps. You can see the day end and the twilight falling whenever you like...
"One day," you said to me, "I saw the sunset forty-four times!"
And a little later you added:
"You know — one loves the sunset, when one is so sad..."
"Were you so sad, then?" I asked, "on the day of the forty-four sunsets?"
But the little prince made no reply.
 
I added "As the Sun Sets" to my "GIF I AINT GOT" playlist yesterday while wondering to myself what relevance it had to my post other than simply liking the sound of it..  Then I read "The Little Prince" for the first time again in four or five years and was surprised to discover that I had totally forgotten about The Little Prince's fondness for watching sunsets, a fact that I never considererd to be of any significance prior to reading it once again this morning.
 
Re-reading the story made me realize that The Little Prince flew so often that he could never keep track of the time of day, the time of sunset nor which planet or asteroid that he was currently on.  Often, he would even mistake other planets and asteroids for his "home," Asteroid 6-B12, a planet that is located inside the asteroid belt between Mars and Jupiter.  
 
Given these mistakes which were frequent and commonplace for The Little Prince, it is easy to see how he could then get confused upon reading two billboard signs on Earth that advised him to "Freeze Pop Forever" and from there mistakingly leave directions for his Pop to go to someplace colder than Earth but still too hot for his Pop: who is neither human, from Earth, nor even from Mars but from a planet that is even colder and more distant than Mars. 
 
Since no one lives on Mars and we are told that no one besides The Little Prince lives on Asteroid B-612, we have reasons to suspect that his Pop resides on the planet Jupiter and that his Pop is a robot, since Freeze Pop Forever is in reference to a robot (Robotron 2000) and because the full score for Tomita's version of The Planets is done only in synthesizers.  Should this be the case, the directions that The Little Prince left for his Pop were clearly left on the wrong planet and are of no use to his Pop, who lives in Jupiter instead.  Which could potentially result in a tragic situation of the The Little Prince being stuck on Mars forever, should his Pop never go to Earth to discover the sign that was left for him on how to get to Mars. Nor is Mars the ideal location for waiting for his Pop should his Pop be from Jupiter and wish to remain cold and frozen solid in the process.  On Mars--his Pop would most assuredly melt on contact.
 
 
A sunset in France (image selected randomly by Youtube for my video).

Now, I am confused.  I thought that I "made up" the portion concerning "Pop" after finding the album covers, If You Are Feeling Sinister by B & S (Belle and Sebastian) and "Freeze Pop Forever" by Freezepop in my Windows Movie Maker project collections bin.  Now, I am receiving signals that "Pop" is neither human, from Earth, nor is a fictional character created by me but from outer space instead.  Should this be the case, I have made an error in my perception and have mis-told the story above so must now follow-up with a new video to clear up the confusion created unnecessarily or necessarily by the video above rather than concern myself with audio production at this point in time, since my .mp3 encoder cannot be found. 
 
  I had always thought that the group Freezpop was in reference to a robot because of its song, Robotron 2000, and because I had associated the name "pop" with some cold father-figure, big-brother figure, or "Pop" that was robotic in form (don't ask me why..). I did not realize that "Freezepop" was in reference to ice cream popsicles instead.  It didn't make sense to me to make a video about a pop that was a robot yet felt that my task was to incorporate those and other album covers (including Alicia Keys' Diary,  Kronos Quartet's Black Angels - Departure I, and several deleted album covers that were X'd out and used as black fillers) into one coherent story based on my true experience that I had and then narrate the story using misheard song lyrics from The Style Council's The Paris Match.  The purpose being to manifest something arationally to make "present" pre-temporal origin to make the whole of truth perceptible to others transparently and in the fullest of clarity. Which can be imparted arationally via the concretion of time and by perception of the "whole" which is not comprised merely of sight or sound alone so cannot be fully a-wared via audio or video alone, so must be communicated via other means or modes of communication as well and must also be lived, felt, heard, seen, smelt, experienced, and so on.  Not merely understood conceptually.

After creating the video, I created a mashup of those artists but never followed through with the threat of If You Are Feeling Sinister by B. & S. because I gathered that B. & S. stood for "bull" and "shit" in this context as I only felt a little sinister but not sinister enough to wish that my Pop be frozen forever to one position in space as if he were nothing but a body or a corpse.  I am also repulsed by the idea of being physically or in any way attracted to someone that is genetically similar ti ne (e.g. related by "blood"), to a mere body or physical object, or to someone who is dead, so am still somewhat baffled by the message to communicate.
 
I am sensing that the typo above in "genetically similar ti ne (e.g. related by "blood")" is an item of interest to point out to others, but do not know what they "mean" even after looking up the definitions of those typos.   Here are some possible interpretations:
Ti 1
The symbol for the element titanium.
Ti 2
abbr. Bible
Titus
ti 1  (t)
n. Music
The seventh tone in the diatonic scale in solfeggio.
[Alteration of si.]
ti 2  (t)
n. pl. tis
An eastern Asian tropical shrub (Cordyline terminalis) having a terminal tuft of long narrow leaves and panicles of white, yellowish, or reddish flowers.
[Tahitian and Maori t.]
The American Heritage® Dictionary of the English Language, Fourth Edition copyright ©2000 by Houghton Mifflin Company. Updated in 2009. Published by Houghton Mifflin Company. All rights reserved.
ti
Noun
Music same as te
Ti Chem titanium
 
Ti
The symbol for titanium.
 
 
 
née also nee  (n)
adj.
1. Born. Used to indicate the maiden name of a married woman.
2. Formerly known as.
[French, feminine past participle of naître, to be born, from Old French 
 
naistre, from Latin nsc; see gen- in Indo-European roots.]
 
Here is one more, but not sure if should be included:
 
(
 
I have reasons to suspect that the typos above are some kind of cryptic messages to be deciphered and not simply careless mistakes.  I don't care about the "the way of the Tao" or Confucius but only doing things "my way" not yours.
 
We obviously do not mean "Freeze Pop Forever" literally, as that would imply that Pop is is nothing but a frozen and lifeless corpse that is being cryogenically-preserved or freeze-dried for some future use by the wonders of science, and that waiting for Pop's arrival or searching for Pop is ultimately in vain..  So to clarify the above, when I said, "Is any body there?"  I didn't mean "body" literally.  And if Pop is indeed a robot, there must be something more to a robot, too, other than its body or various mechanical parts, gears, screws, golts, and what not.
 
It may very well be the case that The Little Prince's Pop, who resides on an outer gaseous planet far removed from the sun, would melt on contact if exposed to the relatively milder, sunnier, lush, and more tropical conditions that are found on the Martian atmosphere year-round compared to that of cold, dark, and inhospitable Jupiter.  

By the same token, however, we could also argue that the atmosphere of all inner "terrestrial" planets can produce melting should the intent and ultimate purpose and goal in life be to melt or burn up, rather than to freeze Pop forever as previously thought. This in an of itself is no great accomplishment.  Any one and any thing can melt.  In 500 million or billion years, the sun will expand to the distance of Jupiter and will consume all the planets in its path.  Maybe even Jupiter.

All of the inner terrestrial planets are more tropical and sunnier than Jupiter.  Making such an "accomplishment" not so great or unique.  So we want to do something that makes Mars more unique in all the world.  Jupiter itself is nothing but a dark, miserable ball of gastric juices in a sea of metallic liquids and noxious gases that swirl endlessly in never-ending violent storms.  Hardly anything that we would consider "jolly."  Although it is unique in that respect.  

From the vantage point of Jupiter, the sunset is barely distinguishable from any other star that happens to twinkle in the evening sky.  So in that sense, the sunset is not so unique or special from the vantage point of Jupiter although it is on Asteroid B-612 or 6-B12 or whatever.  There are many moons, however.  And one that contains water, Europa.

We tried landing on Jupiter and/or Neptune one time and got nearly sucked in by its beautiful mirage of a landscape (from a distance) and tremendous pull of gravitational force. Half the birds were sucked in before we could abort landing.  And they were never seen again.

Who knows?  Maybe Pop flew straight to Earth and melted away completely with goodneess knows what over there upon news of its runaway greenhouse effect and lush vegetation and flora that are sprouting and spreading like wildfire across both poles. Whatever it is, we know for a fact that it is isn't unique.  Nor tamed.  The flora, that is.  Although we do grant that it is "unique" in the sense of taking 350 million years of carbon vegetation and ejecting it all into their atmospherem in 200 years.  It'll take several centuries if not a thousand years or more before CO2 concentrations return to levels that are optimal for life that currently exists on the Earth.  In that respect, the Earth is unique in all the world.  And solar system, too.  In response to those who "point out" that global warming is occurring on Mars, Pluto, or on any other planet, dwarf planet, asteroid, meteor, particle, or neutrino that happens to fly by in an attempt to diminish the "uniqueness" of their own situation so as to not take ownership or personal responsibility.

We still do not understand the full meaning of the 44 sunsets in the Little Prince story but sense that it is significant to the universe.  Nor why the Little Prince would say, 
 
"You know — one loves the sunset, when one is so sad..."
"Were you so sad, then?" I asked, "on the day of the forty-four sunsets?"
But the little prince made no reply.. 

The way I interpret the Little Prince's meaning above is, "I'm only sad in a natural way/And I enjoy sometimes feeling this way," although I am certain that there is something more profound that I am not fully comprehending in the meaning above.  Below is the sun or sunset that I camouflaged by turning it into a flower/shield thingy.  Whether as a distraction, as an opportunity to showcase artistic ability, as a protest against global warming, against Pop, as an opportunity to incorporate movement, to negate the effects of a triangle, or to positively effectuate the world for the benefit of all of the above I cannot say.  My impression that it is somehow connected to the meaning above.