Sing It, Girl!

Jonathan Bartley over at the guardian.co.uk points out how the Virgin Mary might have looked better in red.

There is a tendency to think of Mary as a victim – a slightly passive but worthy virgin, chosen to bear the god-child because she has wouldn’t hurt a first-century fly. But Mary’s response is not one of benign resignation. She celebrates. She bursts into song. And the song she sings is about an end to tyranny and oppression. She anticipates that the powerful will be brought down, the hungry fed, and the rich sent away with nothing. The world will be turned upside down by the baby growing inside her.

And turned upside down it was:

The Magnificat (Luke 1:46-55), as it came to be known, is a profoundly political song of subversion. But it is also entirely in keeping with the tone of the Christmas story. Oppressive Romans are seeking to extend their control and tax the Jewish population through a census. A despotic ruler sees Jesus as a potential threat, and commits a terrible atrocity in his desire to eliminate the risk. Jesus’ family become asylum seekers and flee to Egypt. The baby has clearly come to cause trouble – and he subsequently does so for both the religious and political authorities of his day.

In light of recent papal commentary, the recognition Christianity’s revolutionary nature might do all of us, in every tradition, some good.

Merry Christmas, one and all.