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A semi-integral view of the struggle to be an artist...
Why is it, that as a society we are willing to put aside the things that we are most passionate about for security? Why is it, that having a passion is considered adolescent, when most of us don't even discover what it is that we are passionate about until we're adults? Why is it that the ones who follow their passion to fruition, get the biggest rewards... regardless of whether you see being rewarded as happiness or wealth?
Part of my struggle has been to get those closest to me to understand the unwavering passion that I have for writing, but there seems to be an underlined tone to the way people respond to someone who wants to follow their passions, and it is not always met with encouragement. For example, some people find that having security is more important to them then following a passion, it keeps them sane and in control. So consequently from their perspective anyone who is willing to sacrifice security for a passion, or more specifically art, is just plain insane and out of control. Then there are those who would love to follow their passions, but cannot find a way to make it happen, and aren't willing to make changes in order to switch gears. They have built a sense of security in their surroundings, and cannot trust that making changes will guarantee a better outcome. Again, we meet another perspective that is fueled by an equal balance of fear, admiration, and insecurity. Then we meet the opposite end of the spectrum, which include the community of people who are actively following their passions. Some of which are following a passion for money, some to satisfy their soul, and others to keep the balance between the two.
Why is it that art is the most over looked? Other then the magnified glass an artist feels they live under after they reveal that they wish to follow a passion, I personally believe it's due to evolution, imbedded in our natural and instinctual impulse to grow. According to the philosophy of lines, levels, states, and stages that Ken Wilber proposes, we can see that our current state of artistic expression is at a lower level of development then what we are capable of, which is what fuels the attitude that following your passion is adolescent and reckless. So is there such a thing as higher levels of artistic expression? I absolutely believe there is, and wouldn't be here today if there wasn't.
The story of the tortured artist, isn't that they are somehow psychologically insane, depressed, and lazy; although not to rule those out, as they have been and continue to be an amazing outlet for the development of art. The story is that their art, has yet to be seen by 99 percent of society, because until they become “successful”, they will always only be seen as a dreamer. Think about the mind blowing lyrics, poems, riffs, paintings, movies, cuisines, or you name it, that exist without ever seeing the light of day. The problem with most artist, is that they too cannot see themselves as artist, because they look to those around them for their reaction, looking closely at their affective experience, only to find judgment and constructive criticism. And at that moment the artist forgets to take into consideration that our society is not wired to experience subjectively, what they are conditioned to look at objectively. Without the reflections of others the artist fades into a dreamer, addicted to the chase.
The reason I wanted to write this blog is because I have found that this particular dynamic isn't talked about as much. Although we would like to believe that everyone in our lives are going to be supportive of us and our passions, the fact of the matter is that people cannot help but filter their life values on our own. So just keep creating, keep putting it out there, and know that, whether it is compelling or repelling, art's purpose is to affect those who encounter it... period! So it's not really society who decides whether we follow our passion or not, choice has been and will always be up to us.
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This was good to read.
Posted September 2nd, 2010 by Justin QuiriciThis is a perspective I've been shaming myself away from having. I always force myself to see practicing guitar as "a waste of time" because it isn't likely to bring me money, and I am a person who REALLY values his security. I don't need much to live comfortably, but even a home of my own will be out of reach if I give up security for passion.
Like everything, I need to learn to balance them.
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wow
Posted September 2nd, 2010 by Scott MarshallYou nailed a feeling that I confront on a daily basis!
There is a pervasive mood of concern... No not concern... Its a kind of knowing! This mood
A while back Jennifer and others discussed subject object stuff. The artist is trained to see objects make new objects make people subject to the objects and so on.
I also see an aspect of narcissism- combined with equal self deprecation. These strange personality forces cancel each other out and leave a green flatland waste space. I am still cleaning up that shit.
In another view the artist is a conjurer. They summon symbols and representations. Integral art wants to interface with the viewer- holding physicality, subtlety, causality... This imbues the art object with potentially life changing qualities.
-s
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as a writer who writes principally for passion. . .
Posted December 13th, 2010 by Mark BaumIn my life the tension between a need for security and a need for highly self-styled creativity is unrelenting. I see no choice but to embrace the tension with full consciousness. This seems to work, somehow. . . and the more I integrate a consciousness of my personal contradictions into my actions, ironically, or paradoxically, the happier I tend to be.
More than once I've gone broke because my obsession with creative writing (which in many moments steps through the threshold of religious fervor) has interferred with my ability to work (meaning money). But there are always intelligent, practical solutions to poverty. I've received food stamps, lived in my car, dumpster dived, borrowed from my wealthy parents, (a singular advantage in my case. I'm aware that not everyone can fall back on such a safety net. for this I am always grateful) and systematically shoplifted. And I've met many people who have been immensely more resourceful than I. To my imagination, living in a tent in the forest is a sensible option. (maybe not in Alaska in the winter where I live now, but I could always move)
Obviously I've been influenced by green altitude anarchist culture. I've also been heavily influenced by Rob Brezsny and Henry Miller. Brezsny, for art and love, lived in poverty until he reached his forties, and Miller likewise until his fifties. Such lifetimes sing to me on a deep level, and I could give a fuck about owning a house. (and I recommend Brezsny's Pronoia as a supremely awesome augmentation to any ILP)
Carefully, I dream of making a living as a novelist. I may not succeed at this, but if I succeed in following my passion I will die content. Maybe I can do my part to turn American culture on its head in the process.








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Thanks Rachel
Posted September 1st, 2010 by AnnieI do think it needed to be said and maybe someone reading this will find some comfort.