We are now ready to delve into the more advanced integrally-informed cinematic lenses, starting here with the ZONAL LENS.
The Zonal Lens aids us in applying eight (8) indigenous human perspectives (zones) and their corresponding methodologies for gaining verifiable and reproducible knowledge to the realm of perceivable realities.
In addition to States, and developmental Lines and Levels, there are also various patterns of shared Characteristic Types or Typologies within all four Quadrants.
In a cinematic work, at the most basic level, these various human reality states can be captured and replicated to some degree through text, image, and sound. For example, we can visually and auditorily capture a storm (a weather state), and add the text/story of a person trying to get out of its way, including how this person is reacting (i.e., a fearful emotional state).
This time we will explore what I am calling the DEVELOPMENTAL LENS. The Developmental lens includes two separate yet intimately connected perceptual lenses: LINES and LEVELS of development.
This time we explore the QUADRATIC LENS. This lens helps us look upon everything we perceive as being made up of four distinct yet equal and interrelated essential dimensions of perceptual reality. These dimension-perspectives can be labeled in various ways to represent the form of existence we are looking at.
The first Integral lens I will explore is the HOLONIC lens. This lens helps us look upon everything we perceive as a HOLON; a whole that is part of another whole. Holons are the essential building blocks of our reality. A whole atom is part of a whole molecule, which is part of a whole cell, which is part of a whole organism
Defining characteristics of what may constitute an integral cinematic work are mapped out and developed into a set of evaluation criteria using the works of Dulac, Gebser, and Wilber. A test of these evaluation criteria with the viewing of several motion pictures is summarized; the results suggest that several past and recent films demonstrate qualities that could be said to constitute an integral cinematic work.
In this moving, illuminating, and impassioned discussion, retired Police Lt. Chris Orrey and San Bruno Police Chief Ryan Johansen open our eyes as to the realities of policing in today’s world and offer solutions as to how the entire institution of police work could be transformed to become more effective and sustainable, both for police officers and for the communities they serve.
