Using Everything Everywhere All at Once as our guide, Mark Allan Kaplan shows how the greatest films don’t simply depict conflict — they consciously hold their opposites, and weave them into something whole. You’ll trace Evelyn’s journey from nihilism to radical kindness, watch the everything-bagel meet its opposite in a single googly eye, and discover why “because nothing matters, I can choose to be kind” might be the most integral line in modern cinema.