Please Log in to Vote.

13 out of 13 members found this useful.

The Complementary Dance of Art and Economics

Duration: 31 minutes

Although Michael is as creative as they come, and Stuart's certainly no idiot himself, together, these two are a truly dynamic synthesis of academia and rock 'n roll. After a few minutes reviewing the state of art and creativity in liberal education, Michael jumps into the topic that dominates the conversation to come: the economic dimension of being an artist.

As Stu comments, "Well, on a good day, it's transparent." And on a bad day, it's not. Stu recalls that at one point in his life he didn’t pay taxes for four years. Even more astounding, out of six of his closest musician-friends, five of them had also skipped taxes for years at a time! Wow. As we can see, Stu can confirm that for artists, the goblins hiding in the unconscious are often the economic realities of human life.

But in a perfect world, artists would be free to devote their attention entirely to the creative process, right? If they can find a wealthy patron to support their work, isn’t that ideal? Well, as Michael suggests, that can be a part of the overall picture, but artists can become dissociated from aspects of their own being-in-the-world, not to mention the culture at large, if that is their only answer to the question of money.

In his own experience, Stu reports that the more truly integrated and conscious he is about all the dimensions of his life and work, the more his creativity "undeniably improves." In fact, in response to the reality of needing money to record his albums, Stu has devised some very clever ways to raise money through engaging the community of people that has grown up surrounding his work.

In the end, Michael and Stu agree, an artist that honors the collective dimensions of reality that help support their individual genius, is simply a better artist.

Whether you’re an artist or not, we invite you to listen in on the ways we can all bring a more comprehensive, integral, balanced approach to life as a human being. And balanced doesn't mean boring—you can rock the boat all the more wildly, because you’re aware of all the things keeping you floating....

Michael Schwartz

Michael Schwartz did his graduate work at Columbia University and is currently Professor of History and Philosophy of Art, Augusta State University, Augusta GA.  He has published and lectured widely, throughout the United States and Europe, on art history and historiography, integral theory, Continental philosophy, critical theory, aesthetics, and contemplative studies.

 

Stuart Davis

With eleven full-length albums to his credit, Stuart Davis has carved out a unique wavelength in the musical spectrum. Taking the topics of God, sex and death, and crafting them into inimitable pop songs with lyrical flair and unforgettable hooks, Stuart continues to be one of the great undiscovered singer/songwriters around.

 

 

Don't Miss the Integral Art edition of the Journal of Integral Theory and Practice!

The Fall 2008 edition of the Journal of Integral Theory and Practice is a special issue devoted to Integral Art, including two case studies in integral art interpretation; integral presentations of dancing, fiction writing, and acting; explorations of feminism and beauty; and an advanced overview of art through integral methodological pluralism. Be sure to check out these articles as they provide the first concentrated effort detailing the variety of expressions of integral art. Purchase now!

TABLE OF CONTENTS

 

 

Editorial Introduction
-Matt Rentschler

On Interconnectedness and Beauty: The Mixed Media Installation Ashes and Snow Viewed through the Integral Model
-Bruni Howind

An Overview of Integral Dancing
-Elijah Petersen

Writings on the Wall: A Case Study in Integral Art Appreciation
-Jerrad Roberts

 

The Integral Storycreator: Using Integral Methodological Pluralism to Create Fictional, Narrative Prose
-Michael Ornst

Beauty and the Expansion of Women’s Identity
-Vanessa D. Fisher

Toward an Integral Theory of Acting: An Introduction to Dramatic Intelligence
-Timothy J. Melody

Advancing Integral Art
-Matt Rentschler

 
 

Purchase the Fall 2008 issue of the Journal of Integral Theory and Practice

$29.95

 

Purchase annual subscription to the Journal of Integral Theory and Practice

$99.00

 

 

Image: The Cause Is the Effect by Jason Mareydt

Contribute

Blog Posts

Mark Evans's picture
This Dialog is from 2005
 Can we get something fresh here?...
Christophe Witz's picture
Yes
This is a big step forward for Integral Art. Very good material. Thank you. It's... (more)
steven martini's picture
death and taxes
this conversation is amazing! thank you stu and michael for having it in like... (more)
6 Comments