Using Everything Everywhere All at Once as our guide, Mark Allan Kaplan shows how the greatest films don't simply depict conflict — they consciously hold their opposites, and weave them into something whole. You'll trace Evelyn's journey from nihilism to radical kindness, watch the everything-bagel meet its opposite in a single googly eye, and discover why "because nothing matters, I can choose to be kind" might be the most integral line in modern cinema.

Defining characteristics of what may constitute an integral cinematic work are mapped out and developed into a set of evaluation criteria using the works of Dulac, Gebser, and Wilber. A test of these evaluation criteria with the viewing of several motion pictures is summarized; the results suggest that several past and recent films demonstrate qualities that could be said to constitute an integral cinematic work.

Wayne Shorter, likely the greatest jazz composer since Thelonious Monk, was also one of the most influential tenor and soprano saxophonists in the post-John Coltrane period from the mid-1960s onward. His death on March 2, 2023, at the age of 89, marks the end of a musical life that spanned a panoply of styles and configurations, from hard bop to electronic fusion and funk to Brazilian and Caribbean to orchestral and the avant-garde, all suffused his own idiosyncratic melding of sounds and sensibilities which seemed to reach from the heat-center of the earth to the infinite expanses of the cosmos.

Join Corey deVos for this fun, fascinating, and far-reaching exploration of one of the essential cornerstones of integral theory — holons, or the apparently endless series of “part/wholes” that fundamentally compose reality as we know it.

Ryan and Corey explore the idea that every moment is a bardo, a transition from one state of being to another state of being — and within these ubiquitous transitions there are opportunities to transcend the karmas of our conditioning, and to channel new kinds of creativity into the world.

Corey deVos talks to Steve Banks about his integral approach to woodworking, and how he tries to transform beautiful ideas into beautiful art. Corey and Steve go on to have a robust discussion of integral art as a whole, as well as their shared appreciation for music.

This article investigates music’s ability to facilitate flow states of consciousness as peak experiences. The research first uses two first-person methods, phenomenology and structuralism. The results of two second-person methods, hermeneutics and ethnomethodology, are then detailed. The final research section uses two third-person methods, empiricism and systems analysis. The empirical section utilizes a survey, while the systems analysis section investigates factors that contributed to the phenomenological research method. Results focus on tracking a conceptual understanding of the terms flow state and peak experience.

Using Integral Theory as my framework, I explore the four quadrants or fundamental perspectives of reality with respect to writing. This consists of inquiry into the use of subjective, objective, intersubjective, and interobjective perspectives to better understand and express writing. My thesis is that together these interrelated perspectives comprise the whole writing space: an Integral writing space. I also identify three developmental levels within each quadrant (e.g., three increasingly complex subjective perspectives, objective perspectives, etc.). This results in a total of twelve unique perspectives that map the horizontal breadth and vertical depth of the territory of writing. I offer experiential...