These days, discourse about intelligent robots—thinking machines—is as widespread as discourse about zombies. Both have been the subjects of recent bestsellers, which are the basis of two forthcoming films. Popular culture's depiction of humankind under attack by either the undead or by the never alive (autonomous machines) suggests widespread anxiety about and fascination with technical developments that may generate a future out of human control (as if the future ever were under our control!)

In an age of global crisis, why does the idea of global governance remain a such a taboo topic? Here John Bunzl posits a civic line of development, suggesting only those possessing a worldcentric level of civic awareness can fully comprehend global problems and the need for binding global governance.

Diana Calvario’s art weaves stunning imagery of nature, culture, divine beings, dream states, macro and micro scales of order, into remarkable evocations of creative emergence. Within the Kosmic flows of nested holarchies, what might be the interactive, energetic, and meaningful interplays of these various elements? Calvario’s art shows us the ever emergent circuits of this dance, and does so with profound invention, beauty and grace. Hers is an art that has the unique power to rewire and enhance one’s integral soul—a great achievement and singular aesthetic gift.

"My work is an offering of my heart and an aspiration towards ever increasing strength, grace, joy and faith, a celebration of divine magic and infinite love and an expression of gratitude to the spirit that animates this cosmic dance."

Greg Thomas explores the fascinating intersection between the work of Albert Murray and Integral Theory.

Osama bin Laden did not just attack the American people or the American economy, he attacked the American subconscious. Even as we can breathe a sigh of relief that justice has been served and this monster has been finally eliminated from our world, the fabric of our shared American mythos remains as tattered as ever.