Defining characteristics of what may constitute an integral cinematic work are mapped out and developed into a set of evaluation criteria using the works of Dulac, Gebser, and Wilber. A test of these evaluation criteria with the viewing of several motion pictures is summarized; the results suggest that several past and recent films demonstrate qualities that could be said to constitute an integral cinematic work.

What is art, at its most fundamental level? This is one of those perennial questions that we have been asking and re-asking at every stage of the human journey, from the first cave drawings all the way to the emergence of sophisticated artificial intelligence algorithms like MidJourney that are once again blurring the lines between art, beauty, and perspective and forcing us to find new ways to answer this timeless question. Watch as Ken and Corey take a fun and fascinating look at the intersection between art, semiotics, and technology.

Corey deVos talks to Steve Banks about his integral approach to woodworking, and how he tries to transform beautiful ideas into beautiful art. Corey and Steve go on to have a robust discussion of integral art as a whole, as well as their shared appreciation for music.

This article investigates music’s ability to facilitate flow states of consciousness as peak experiences. The research first uses two first-person methods, phenomenology and structuralism. The results of two second-person methods, hermeneutics and ethnomethodology, are then detailed. The final research section uses two third-person methods, empiricism and systems analysis. The empirical section utilizes a survey, while the systems analysis section investigates factors that contributed to the phenomenological research method. Results focus on tracking a conceptual understanding of the terms flow state and peak experience.

Using Integral Theory as my framework, I explore the four quadrants or fundamental perspectives of reality with respect to writing. This consists of inquiry into the use of subjective, objective, intersubjective, and interobjective perspectives to better understand and express writing. My thesis is that together these interrelated perspectives comprise the whole writing space: an Integral writing space. I also identify three developmental levels within each quadrant (e.g., three increasingly complex subjective perspectives, objective perspectives, etc.). This results in a total of twelve unique perspectives that map the horizontal breadth and vertical depth of the territory of writing. I offer experiential...

This isn’t another hyper-cognitive discussion of integral theory. This is more of a “perspectival yoga”, and we hope that by the time you have finished watching this episode you will be more familiar with these fundamental dimensions of your experience, right now in this very moment.

In this continuation of our "integral media" series, Ryan and Corey take another look at the major stages of human development, this time using a series of 33 video games in order to illustrate the qualities and characteristics of each stage. All of this allows you to not only observe these stages within you, but to actively inhabit, engage, and play with them as well.

This article briefly outlines a general definition of art and the main approaches of art theory andpractice. It then illustrates how those approaches coherently fit together via the four quadrants of AQAL theory. The article concludes that Integral Art preserves the important truths of these approaches (while negating their more extreme versions). Therefore, nothing short of an Integral approach will suffice in both tuning artists to their fullest expression and reminding critics of their widest embrace.